2.1
Having just read Macbeth, Brutus' envy of the boy sleeping hits a bit harder.
Ah the kill it in the egg speech. Marvelous in that the way Brutus describes Caesar he's a much better guy than I found Caesar in the last scene- yet he still concludes that absolute power corrupts absolutely.
Ah the kill it in the egg speech. Marvelous in that the way Brutus describes Caesar he's a much better guy than I found Caesar in the last scene- yet he still concludes that absolute power corrupts absolutely.
We really hit the idea of march thing pretty hard in this play huh?
This
scene makes me imagine an absurd school of acting where there's a whole
class on cloak acting. Cassius and the cloaked men enter and do exactly
what Cassius told us they'd do. It's funny that they come in cloaks and
then introduce themselves.
Ok i start remembering why I find this play tiresome about now. I
like it so much more when heavily cut or when in only seeing scenes from
it...
Let’s kill him boldly, but not wrathfully;
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Let’s carve him as a dish fit for the gods,
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Not hew him as a carcass fit for hounds;
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I do love that there's a clock sound effect in
this play. I'd be interested in seeing this play as a world of
characters obsessed with time. Hourglasses and tick tock tick tock
noises.... could be super interesting
Of course we all know the actual good stuff in this scene comes
after the consiprators leave and we get the gorgeous Portia/Brutus
exchange. not only is the language gorgeous and the misogyny of the male
romans highlighted, but this picture of marriage is really lovely, the
back and forth, the reasoning, the genuine concern. ONe just wishes it
was taking place in a marriage a bit more functional. And after this
mini scene of domesticity- the boy comes and says there's a sick man at
the door. LIgarius then immediately "throws off" his sickness when he
finds brutus is on the anti-caesar train. truly honorable men up in
here... brutus leaves and we move to domestic scene part 2 with a
different husband/wife pairing.
2.2
Caesar starts the scene telling us his
wife has been dreaming he's murdered. Calpurnia enters and urges Caesar
to stay inside with her and then lists a TON OF VERY GOOD REASONS HE
SHOULD LISTEN. a favorite line fromt his speech: And ghosts did shriek and squeal about the streets. Those
sounds are so good! Caesar is not into this saying if its time to die
its time to die. This scene has what I think is Caesar's greatest line: Cowards die many times before their deaths; The valiant never taste of death but once. although
I think it would be more effecting if we hadnt heard stories/seen
Caesar's false confidence so much before this. (or does that make it
more poignant and sad?) A servant enters to let caesar know that the
offering he requested sent to the gods was a BAD omen since they
happened to sacrifice a beast THAT HAD NO HEART. WHA??!?!?!? Caesar of
course interprets this to the meaning he wants. surprise surprise. It seems for a moment that for the sake of his wife he will listen and stay home,
but he wants to make it VERY CLEAR that it is NOT because he is afraid.
(methinks the gentleman doth protest too much). All it takes to change
Caesar's mind about this decision is Decius Brutus re-interpreting
Octavia's very vivid dream with a positive spin. The falseness of signs
is a very interesting component of this play. Maybe it stands out to me
because i've been reading Game of Thrones recently and there's a similar
exploration there?
Several other senators show up and there's a lovely play on the dramatic irony of the audience knowing what Caesar does not until he finally leaves with this line:
Good friends, go in, and taste some wine with me;
And we, like friends, will straightway go together.
Incidentally, another quote that was on those coasters. and said just before all his "friends" kill him.
2.3
One of the shortest scenes yet. literally just a monologue (which no one does! and i would be so interested to see! I know there's no big turn but there's a hell of a lot of urgency and some lovely language. bonus points for including the phrase LOOK ABOUT YOU)
2.4
My least favorite scene in the play because the whole oh he was right I'm a woman and I can't handle anything sentiments from Portia. ugh. How hard it is for women to keep counsel! SHENANS PORTIA! Your wrongs do set a scandal on my sex... I have nothing else to say about this scene. it just makes me mad. and let me be clear that i have no problem with PORTIA being concerned/"weak"/wanting to tell all. I have a problem that instead of taking personal responsibility for it she blames it on being a woman.
That's act 2.
Several other senators show up and there's a lovely play on the dramatic irony of the audience knowing what Caesar does not until he finally leaves with this line:
Good friends, go in, and taste some wine with me;
And we, like friends, will straightway go together.
Incidentally, another quote that was on those coasters. and said just before all his "friends" kill him.
2.3
One of the shortest scenes yet. literally just a monologue (which no one does! and i would be so interested to see! I know there's no big turn but there's a hell of a lot of urgency and some lovely language. bonus points for including the phrase LOOK ABOUT YOU)
2.4
My least favorite scene in the play because the whole oh he was right I'm a woman and I can't handle anything sentiments from Portia. ugh. How hard it is for women to keep counsel! SHENANS PORTIA! Your wrongs do set a scandal on my sex... I have nothing else to say about this scene. it just makes me mad. and let me be clear that i have no problem with PORTIA being concerned/"weak"/wanting to tell all. I have a problem that instead of taking personal responsibility for it she blames it on being a woman.
That's act 2.
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