So When I said I wasnt touching shrew in the New Year, i
wasn't messing around. I actually had the 4th act written and was going to
finish the final one New Year's Eve when I was hit with the flu so I was out of
commision for almost two weeks straight. Totally gross. I hope you all had a
healthier start to the new year. After the flu episode, we moved into a new
place and were a bit slow setting up the wireless internet so now, finally, i'm ready to
blog again and be more diligent with it! (Side note, i've also been busy rehearsing a show. If you're in the Phoenix
area you can come see me in Picasso at the Lapin Agile. see www.brelby.com OR www.brelby.tix.com )
So....
We're going to move on to the next play I was exposed to:
Macbeth. I figure I'm ok typing it regardless of any of you superstitious folks
out there. If you're nervous about that just don't say it outloud right? I
can't remember exactly when I read this play for the first time but I'm fairly
sure it was at some point in highschool and I know I'd already read it and done
some scene work from it by the time we covered it my senior year so I'm going
to take a guess this is the next play, even though I could be mixing up the
order of this one and Julius Ceasar (yup, that's what's coming up next... just
quadurples my wish that I was watching the REN season in Staunton!)
So... this play is dark and awesome. Since first
encountering it I have done scene work with it and a full length production
that cut all the characters but the Macbeths and the 3 witches, with the three
witches appearing as the other characters that spur the Macbeths on as well
(this adaptation was called voices of Evil and was written by Prof. Rathburn ofNotre Dame University. It was very movement heavy and I absolutely loved it)
1.1
Y'all... this play starts with witches! How do you beat
that?! "When shall we three meet again?" So not only do we start with
witches, but witches who we know are coming back. rad. The first scene is super
short and seems to just be an introduction to the supernatural. The scene eneds
with the couplet
"Fair is foul, and foul is fair,
HOver through the fog and filthy air"
Fair is foul and foul is fair- this little riddle like
phrase ties into what I think the theme of the play is, as well as one of the
greatest lines- "Nothing is but what is not". SO. GOOD. I have that
engraved on a keychain. It screws with your head in a really wonderful way.
1.2
1.3
Remember when we talked about the idea that maybe Puck is a
little more demon like than we usually see him portrayed? I'm a little more
convinced after thinking how similar the witches' pranks are to the sprightly
hobgoblin's. Only these bitches be way scarier than Puck. Teaching moment: I
think I would LOVe to do a whole class on how you choose to portray witches for
any given production. Macbeth describes them as "so withered and so wild
in their attire" and later says "you should be women, and yet your
beards forbid me to interpret" Is Macbeth seeing things? is that what the
audience sees? There seem to be an awful lot of productions ive seen with
"sexy" witches- what's up with that? So the witches reference that
Macbeth will be Thane of Cawdor and then King hereafter. Banquo wants to know
whats up with the Macbeth's reactions to this news- this is a GREAT play to
teach internal stage directions. SO SO SO WONDERFUL.Another wonderful thing to
teach/ practice/discuss with this play is stage magic. Do the witches disappear?
how? do they stay but become invisible? lots of really fun choices!!!
Banquo is not scared of these witches and says "speak
then to me, who neither beg nor fear/ your favors nor your hate"
Then Ross comes onstage to announce the outcomes of battles
and that macbeth is indeed now Thane of Cawdor and even though we knew he was
before he talked with the Witches, Macbeth didn't so it can seem to him that
perhaps they have played a part in it and that they have something on which to
build infallible prophecies... then, what I absolutely LOVE about this scene is
that what really should be a soliloquy- Macbeth is struggling with a decision,
clearly talking to the audeince/himself depending on how you view such
monologues- is NOT a soliloquy but done while banquo and ross are still
onstage.
This supernatural soliciting
|
Cannot be ill; cannot be
good. If ill,
|
Why hath it given me earnest of success,
|
Commencing in a truth? I am
Thane of Cawdor.
|
If good, why do I yield to
that suggestion
|
Whose horrid image doth unfix
my hair
|
And make my seated
heart knock at my ribs,
|
Against the use
of nature? Present fears
|
Are less than horrible
imaginings:
|
My thought, whose murder yet
is butfantastical,
|
Shakes so my single
state of man thatfunction
|
Is smother’d in surmise,
and nothing is
|
But what is not.
|
and after all this, Banquo and Ross comment on how weird he
is that Macbeth's off by himself and call for his attention. That makes the
situation so much better than if Macbeth was onstage alone! as well as giving
us some much needed humor amongst all the talk of murder.
I have to share my favorite Maccers cartoon here:
1.4
I always think of this play as being so short (and it really
is!) that I forget/am always surprised by how many little scenes make up this
little bloody drama...
Duncan and Macbeth and Banquo meet up and talk about how
awesome each other tends to be... I love the images of planting and growing and
harvest. If you think about it those tend to be quite feminine images, right?
images for bearing children? And what do you know shortly thereafter Macbeth
mentions his wife and how he needs to bring the news of what happened to her.
This scene also wins a shout out from Mumford and Sons "Stars, hide your
fires..." Again, Macbeth does this ruminating over his dark desires WHILE
THE KING AND HIS BUDDY BANQUO ARE
ON STAGE! so. good.
1.5
This scene begins with Lady Macbeth reading a letter. this
is our first introduction to her. I feel like this is rough for an actor. your
first moments onstage reading someone else's words but we all know odds are yoru
director wont let you read them because what if there's a prop malfunction,
etc. and we're all a little uncomfortable if it looks like the person onstage
is truly reading (or are we? textual culture discussion, GO!) But then to make
up for it, the next thing Lady M gets is this:
Glamis
thou art, and Cawdor, and shalt be
What
thou art promis’d. Yet do I fear thy nature,
|
It
is too full o’ th’ milk of human kindness
|
To catch the nearest way. Thou wouldst be great,
|
Art
not without ambition, but without
|
The
illness should attend
it. What thou wouldst highly,
|
That
wouldst thou holily; wouldst not playfalse,
|
And
yet wouldst wrongly win. Thou’ldst have, great Glamis,
|
That
which cries, “Thus thou must do,” if thou have it;
|
And
that which rather thou dost fear to do
|
Than
wishest should be undone. Hie thee hither,
|
That
I may pour my spirits in thine ear,
|
And
chastise with the valor of my tongue
|
All
that impedes thee from the goldenround,
|
Which
fate and metaphysical aid doth seem
|
To
have thee crown’d withal.
|
And thats a good amount of speech all together/time onstage
for a female part. (rejoice b/c there are some nice chunks or be depressed that
there are so many long male speeches?!) This is definitely a piece I would want
to work on and/or teach in a class. I feel like it is
full/beautiful/interesting like the Unsex me here speech but doesnt get any
love or attention. The gender stuff in this play is SO GOOD. She says her
husband is too full of milk. WHY DON'T MORE PEOPLE TALK
ABOUT THIS SPEECH?! This scene is basically a giant lady macbeth awesome fest.
Like this:
Your face, my thane, is as a
book, where men
|
May read strange matters. To
beguile the time,
|
Look like the time; bear
welcome in your eye,
|
Your hand, your tongue; look
like th’ innocent flower,
|
But be the serpent under’t. He that’s coming
|
Must be provided for; and you
shall put
|
This night’s great business
into my dispatch,
|
Which shall to all our nights
and days to come
|
Give solely
sovereign sway and masterdom.
THIS SPEECH IS SO SEXY!!!!
OK... moving on...
1.6
|
A
baby scene- Duncan arrives and talks about how pleasant and great and
sweet the air and the castle seems. AHAHAH dramatic irony. everyone loves
dramatic irony.
There's
a lot of emphasis on Lady M being their great hostess. Breaking the rule of
hospitality comign up over and over again
I
love that Lady M's response is "All our service in every point twice done, and then done double"
I'd
be interested to do a word count on host/hostess/guest/etc. in this play
because serioudly this whole scene is to emphasize this kind of relationship.
1.7
OH
MY GOODNESS i forgot this scene came in Act 1. Unlike how endless the scenes in
R&J felt... THIS PLAY IS NONSTOP ACTION!!!!
This
starts with one of Macbeth's famous soliloqueys. If it were done, when tis
done...
The
thing I love about this play is that I genuinely can't decide which part I'd
rather play more- Macbeth or Lady Macbeth, and that kind of conundrum doesnt
happen often!
Anyway...
so this is the part where Macbeth shows some beautiful doubt in what he and
lady M have decided to do, what with the whole murder plot and everything.
there's a lot of beautiful language and imagery here. ADD THIS speech to the
list of things I should teach a class about...
we
continue with the weird baby images for one. "pity like a new-born
babe"- such an interesting image choice.
So
it sounds like Macbeth is going to cave when in comes his wife wondering why
he's been gone so long. Macbeth tells her he's shutting this plan down and then
all hell breaks loose. Lady M is PISSED. She wants to be QUEEEN DAMN IT! but
what is even more compelling is that she attacks not with that desire, but with
the fact that her husband, her sworn partner in life, is breaking his promise
to her. Some of you may think this is just a tactic, but I think there's a true
sense of betrayal and that things would have been different if Macbeth had said
no from the start, even after her unsex me prayer and her determination to get
him to say yes. I think it would be interesting to play Lady M with the
intention that it is worse to commit treason against your wife than against
your king. and some interesting religious perspectives to explore in that
choice as well.
The
baby images really come to a forefront in Lady M's speech about dashing her
nursing infant's head. Lots of interesting actor work/clues in this speech as
well.
AGAIN
this scene is SO SEXY. and in my opinion, nothing kills this story faster than
having a couple without this sexual tension/power. I've seen productions that
focus on the emasculation of Macbeth to the point that Lady M is just a
steamroller and I think that is SUCH A BORING CHOICE. and not supported by the
text. this man is a strong soldier and having a strong wife does not make him
less strong. The bring forth male children only is such a sad, strange, and
awesome line. Children Children Children are the driving force of this play.
and no matter how sexy and strong and loving the macbeths are amidst their
crazy regicidal plans... nothing will give them those children they continually
speak about.
Act 2 coming soon. It
feels good to blog again :)
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